Cesear's Forum presents Yasmina Reza’s CONVERSATIONS AFTER A BURIAL, translated by Christopher Hampton

The funeral of French Patriarch Simon Weinberg delves into the complexities of familial relationships. Coping with loss and grief, the characters' vulnerabilities are underscored by the absurdities of situational interactions. Heartfelt moments and witty banter give way to nervous tensions and an apparent relationship love triangle. An unlovable figurehead was nevertheless loved.

September 25th through October 24th, Friday and Saturday at 8pm.
Two Sunday Matinees at 3 pm on October 11th and 18th,

Kennedy’s Down Under, Playhouse Square, 1501 Euclid Avenue, Cleveland, Ohio. Call 216-241-6000 or visit www.playhousesquare.org.

Ticket price is: $28 for adults, $15.00 for students.
Sponsored in part by Cuyahoga Arts and Culture and the Bonne Bell Family Foundation.

Recent production photos:

Tricia Bestic & Joseph Milan in CANADIAN GOTHIC
Graceyn Cecelia Dowd & Jonathan Duran in CANADIAN GOTHIC
Gilgamesh Taggett & Tricia Bestic in AMERICAN MODERN
Tricia Bestic & Ron Newell in A FUGITIVE’S LESSON
Katie Wells and Graceyn Cecilia Dowd in LUDLOW FAIR
Matthew Wright, Graceyn Cecilia Dowd & Daniel Telford In THE MADNESS OF LADY BRIGHT

Past production photos:

Stuart Hoffman in Larry Shue's WENCESLAS SQUARE
Lee Mackey & Sheila Maloney in Hugh Whitemore's STEVIE
Adina Bloom & Brian Zoldessy in Lanford Wilson's BETROTHAL

Cesear’s Forum is dedicated to presenting unconventional, new or lesser known plays that explore theory and technique to reveal aspects of the social, political, economic and ideological properties of daily life. The company produces intermittently, on a project by project basis (unusual in Cleveland), currently, one play per year, rather than a traditional seasonal approach.

Brian Bowers, Julia Kolibab, Tricia Bestic, and Dana Hart in Yasmina Reza’s LIFE x 3

Intimate, minimalist, professional and distinctly non-commercial, the company operates from a truly non-profit perspective.

“Sometimes words, by themselves or in recurrent patterns, will blaze up in fiery exchanges or subside in aching whispers; sometimes a grimace, a tear, the movement of a hand, or a break in speech will hint better than spoken language what passes show.”   –Marvin Rosenberg
Julia Kolibab in Joan Didion's THE YEAR OF MAGICAL THINKING